EDUCATOR'S GUIDE: INDIVISIBLE - Background and Resources

INDIVISIBLE: SELECTED BIBLIOGRAPHY
 

BOOKS 

Buckland, Gail. Reality Recorded: Early Documentary Photography. Greenwich: New York Graphic Society, 1974. Coleman, A.D. Depth of Field. Albuquerque: University of New Mexico Press, 1998.

Eisinger, Joel. "Documentary Photography," in Trace and Transformation: American Criticism of Photography in the Modernist Period. Albuquerque: University of New Mexico Press, 1995.

Editors of Time-Life Books. Documentary Photography. New York: Time-Life Books, 1972.

Gillis, Candida. The Community as Classroom: Integrating School and Community through Language Arts. Portsmouth: Boynton/ Cook, 1992

Liebs, Holger. "The Same Returns: The Tradition of Documentary Photography," in Veronica's Revenge: Contemporary Perspective on Photography. Zurich: Scalo, 1997.

Mercier, Laurie and Madeline Buckendorf. Using Oral History in Community History Projects. Oral History Association Pamphlet Series no. 4; Oral History Association, 1992

Mora, Gilles. Photospeak. New York: Abbeville Press, 1998.

Nesbitt, Molly. Atget's Seven Albums. New Haven: Yale University Press, 1992.

Rosenblum, Naomi. "Documentary Photography: Past + Present," in Photography's Multiple Roles. Chicago: Columbia College Museum of Contemporary Photography, 1998.

Rosenblum, Naomi. A World History of Photography. New York: Abbeville Press, 1994. Rothstein, Arthur. Documentary Photography. Boston: Focal Press, 1986.

Stange, Maren. "Documentary Photography in American Social Reform Movements," in Multiple Views: Logan Grant Essays on Photography, 1983-1989. Albuquerque: University of New Mexico Press, 1991.

Stange, Maren. Symbols of Ideal Life: Social Documentary Photography in America, 1890-1950. Cambridge: Cambridge University Press, 1989.

Starr, Louis. Oral History: An Interdisciplinary Anthology. Nashville: American Association for State and Local History, 1984

Stromberg, John R. Power and Paper: Margaret Bourke-White, Modernity and the Documentary Mode. Seattle: University of Washington Press, 1998.

Thompson, Paul. The Voice of the Past: Oral History. Oxford: Oxford University Press, 1988.

PERIODICALS

Blaxwick, Iwona. "Feel No Pain." Art Monthly 221 (November 1998), pp.6-10.

Caplan, Paul. "We Need a New Documentary." Creative Camera (June-July 1993), p. 20.

Feaster, Felicia. "Chasing Reality: The New Documentary Aesthetic." Art Papers 22/5 (September-October 1998), pp.28-33.

Green, David. "Don't Let the Bastards Grind You Down." Creative Camera (April-May 1990), pp.20-23

Katz, Leslie. "Interview with Walker Evans." Art in America (March-April 1971), p.87.

Newhall, Beaumont. "Documentary Approach to Photography." Parnassus 10 (March 1938), p. 5.

WEB SITES

Center for Creative Photography, University of Arizona, at http://www.creativephotography.org

Center for Documentary Studies, Duke University, at http://cds.aas.duke.edu

Cultural Arts Resource for Teacher and Students. at http://www.carts.org

"Guidelines for Conducting Oral History Interviews" as reproduced on the University of California Santa Cruz web site at http://bob.ucsc.edu/library/reghist/ohprimer.html

"How to Collect Oral Histories" by David Sidwell, as reproduced on the Utah State University web site at http://www.usu.edu/~oralhist/oh_howto.html

Indivisible: Stories of an American Community at http://www.indivisible.org

Regional Oral History Office, University of California Berkeley web site at http://library.berkeley.edu/BANC/ROHO

"Tips for Interviewers" as reproduced on the University of California Berkeley web site at http://library.berkeley.edu/BANC/ROHO/rohotips.htm
 

 
 

http://www.creativephotography.org    This page last updated September 24, 2000.   oncenter@ccp.arizona.edu


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